"Still Lifes from the Collection," Daum Museum of Contemporary Art, Sedalia, MO "You Again," Curated by Franklin Evans, Miles McEnery Gallery, New York, NY "Nancy Shaver: Copper and Propane, a photograph: what it is and what it isn't," F, Houston, TXĢ021 "Tasting Menu," The Barns Art Center, Hopewell Junction, NY "A Painting is a Painting is a Painting," ArtPort Kingston, Kingston, NYĢ022 "rivers, threads, folds," Artcake, Brooklyn, NY "25th Group Show," 527 Madison Ave, New York, NY “The Berkeley Connection: Erika Ranee & Tracy Miller,” Weintraub Gallery, Sacramento, CAĢ023 "Sustenance," Curated by Lin Lisberger and Myron Beasley, Portland Public Library, Portland, ME “Tracy Miller & Sam Gordon,” M du B, F H & g., Montreal, Canadaġ995 “Tracy Miller, Suzy Barnard, Melissa Wood,” SF Museum of Modern Art Rental Gallery,ġ994 “Painting & Drawing,” Elizabeth Ferran & Tracy Miller, Belcher Street Gallery, San Francisco, CA Gallery, Maspeth, NYĢ015 "Ellen Berkenblit, Lee Maida, Tracy Miller," Derek Eller Gallery, New York, NYĢ004 “(3: Duk Ju Kim, Tracy Miller and John Salhus),” Curated by John Hock, gallery co, Minneapolis, MNĢ002 “True Paint, Charles Andresen, Tracy Miller and Santi Moix,” Curated by Andrew Chesler, Jay Grimm Gallery, New York, NYĢ000 “Mamie Holst & Tracy Miller,” Feature Inc., New York, NY Jack & Gertrude Murphy Fellowship, The San Francisco FoundationĪmerican University Museum, Katzen Arts CenterĢ022 "Elsewhere," 860 Washington Street, New York, NYĢ017 Ameringer/McEnery/Yohe, New York, NYĢ014 "Food," 527 Madison Avenue, New York, NYĢ013 "Big Paintings, 1997-2013," American University Museum, Katzen Arts Center,Ģ011 "Food Paintings," Feature Inc., New York, NYĢ009 "Alexander Rutsch Award and Exhibition," Pelham Art Center, Pelham, NYĢ023 "Kitchen Sink, Allison Gildersleeve & Tracy Miller," Platform Project Space, Brooklyn, NYĢ021 "Broken Dishes: Pamela Cardwell, Tracy Miller, Nancy Shaver with poet Charity Coleman," Soloway, Brooklyn, NYĢ016 "More, Sarah Bedford & Tracy Miller," Mrs. I find it easy.1993 The University of California at Berkeley, Berkeley, CA, MFAġ992 Skowhegan School of Painting and Sculpture, Skowhegan, MEġ989 The University of Iowa, Iowa City, IA, BFAĢ004 Hassam, Speicher, Betts and Symons Purchase Funds, American Academy of Arts and LettersĢ000 The Marie Walsh Sharpe Art Foundation Space Grantġ993 Margaret Calder Hayes/Tevis Jacobs/UAM Council Founder's Prize, UC Berkeleyġ992 Marian Hahn Simpson Fellowship, UC Berkeley/Matching Fellowship through Skowhegan It wasn’t a total lark, but it was a bit larky. He continued, “My theory was, if I make it our last show, we’ll sell it out in two weeks. “Why on earth would Big Boi open for us? Big Boi was in one of the biggest, most important hip-hop-no, one of the biggest and most important acts of all time. In both interviews, Murphy explains that the show had been booked far in advance and the promoters had “no faith” in the band’s ability to sell tickets, going so far as to suggest that Outkast’s Big Boi open for them. The band’s farewell show at the 18,000-capacity Madison Square Garden in New York City was also brought up again, as it was in Murphy’s recent interview with The New York Times. Murphy also explains that American Dream is “about forcing myself through my discomfort with singing and not allowing myself to have much wry distance.” LCD Soundsystem frontman James Murphy has opened up even further about the band’s new album American Dream in an expansive new interview with Vulture, in which he calls the record “a completely new phase for the band” following the trilogy of studio albums that concluded with This is Happening in 2010.
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